An incredibly talented Dutch trio fusing Indo-Jazz with funk and more.
When Oene van Geel (viola), Mark Tuinstra (guitar) and Niti Ranjan Biswas (tabla virtuoso) played together for the first time there were immediately fireworks, roaring u-turns and cinematic tearjerkers. Then they started writing songs together based on traditional ragas, smashing funk and delicate chamber music. This gave them a great new impulse on stage for even more interaction and improvisation and made them build a rocking live reputation.
“A three-headed monster with the lightness of a ballerina. With great precision they play the most complex rhythms and intricate breaks. (…) Acrobatic trios in an organic coherence.”
“Trio with an unusual line-up, but also a special energy, linked to a subtle and inventive musicality.”
The Crescent, York
Thursday 17th October, 7.30pm.
Tickets are £8 in advance (more on the door) and available from the venue in person, from our friends at Earworm Records or online via See Tickets.
Born in the US, Sarathy Korwar grew up in Ahmedabad and Chennai in India. He began playing tabla aged 10, but was also drawn to the American music that he heard on the radio and leaking through the doorway of his local jazz music shop (Ahmad Jamal and John Coltrane were early discoveries). At 17, Korwar moved to Pune to study Environmental Science, but instead dedicated his time to music, practising tabla under the tutelage of Rajeev Devasthali, translating his skills to the western drum kit and playing as a session musician.
On completing these studies a decade ago, he moved to London where he trained as a classical tabla player under the guidance of Sanju Sahai at SOAS (The School of Oriental and African Studies), focusing on the adaptation of Indian classical rhythmic material to non-Indian percussion instruments.
Korwar has since established himself as one of the most original and compelling voices in the UK jazz scene, leading the UPAJ Collective – a loose band of South Asian jazz and Indian classical musicians brought together through a love of collaboration and improvisation who set up a residency at the Jazz Café in London. Korwar has collaborated with the likes of Shabaka Hutchings (The Comet Is Coming), clarinettist Arun Ghosh and producer Hieroglyphic Being, as well as groups Penya and Ill Considered. He has toured with Kamasi Washington, Yussef Kamaal and Moses Boyd.
Korwar’s daring debut album, Day To Day, recorded with the support of the Steve Reid Foundation, was released by Ninja Tune in 2016. The album fused traditional folk music recorded with the Sidi community in India (combining East African, Sufi and Indian influences) with contemporary jazz and electronics.
In November 2018, Gearbox Records released a triple vinyl live album by Sarathy Korwar and UPAJ Collective. My East Is Your West, performed and recorded at a sold out Church of Sound show, is a brilliant and unique blend of London’s new jazz talent with Indian classical instrumentation. A critically-acclaimed take on the cultural appropriation of ‘spiritual’ Indo-jazz, the three hour show was recorded following a single 45-minute rehearsal. The resulting album was awarded The Guardian’s Contemporary Album of the Month.
Korwar releases his second studio album, More Arriving, through The Leaf Label in July 2019. With this latest release, Korwar blasts out his own vibrant, pluralistic narrative for the world to hear. This is not necessarily a record of unity; it’s an honest reflection of Korwar’s experience of being an Indian in Britain. As such it’s a leap forward from his previous releases, incorporating rappers from Mumbai and New Delhi, spoken word and his own Indian classical and jazz performances. More Arriving is a record born of confrontation; one for our confrontational times.
‘One of the best things we’ve been able to play on the radio for a very long time’
Album of the Week, Gilles Peterson
‘More Arriving is a giant step for Korwar, who pushes musical boundaries to the breaking point as his tunes articulate righteous anger, passion, pain, and pride with a militancy that emerges from the plight of human decency itself. Brilliant’
‘A remarkable meeting of jazz, hip-hop, Indian classical music and radical politics’
‘Absolutely of the moment: a psychedelic, electronic, jazzy odyssey that deals with issues of racial identity. It’s fabulous’
4/5 The Guardian
‘Korwar offers up a distinctive audio standpoint, fusing traditional Indian instrumentation with jazz, electronica, hip-hop and experimental multicultural musings’